Apollo and Daphne Carrara's marble cm. 243 Gian Lorenzo Bernini
"Gian Lorenzo Bernini created an unpreviousd masterpiece for Cardinal Scipione Borghese depicting the chaste nymph Daphne being turned into a laurel tree, pursued in vain by Apollo god of light.
This life-size marble sculpture, begun by Bernini at the age of twenty-four and executed between 1622 and 1625, has always been housed in the same villa, but originally stood on a lower and narrower base set against the wall near the stairs. Consequently anyone entering the room first saw Apollo from behind, then the fleeing nymph appeared in the process of metamorphosis: brak covers most of her body, but according to Ovid's lines, Apollo's hand can still feel her heart beating beneath it.Thus the scene ends by Daphne being transformed into a laurel tree to escape her divine aggressor.
The presence of this pagan myth in the Cardinal's villa was justified by a moral couplet composed in Latin by Cardinal Maffeo Barberini (later Pope Urban VIII) and engraved on the cartouche on the base, which says: Those who love to pursue fleeting forms of pleasure, in the end find only leaves and bitter berries in their hands.
In 1785, when Marcantonio IV Borghese decided to place the work in the centre of the room, Vincenzo Pacetti designed the present base by using the original pieces, adding plaster to the plinth and another cartouche bearing the Borghese eagle, sculpted by Lorenzo Cardelli. "
This life-size marble sculpture, begun by Bernini at the age of twenty-four and executed between 1622 and 1625, has always been housed in the same villa, but originally stood on a lower and narrower base set against the wall near the stairs. Consequently anyone entering the room first saw Apollo from behind, then the fleeing nymph appeared in the process of metamorphosis: brak covers most of her body, but according to Ovid's lines, Apollo's hand can still feel her heart beating beneath it.Thus the scene ends by Daphne being transformed into a laurel tree to escape her divine aggressor.
The presence of this pagan myth in the Cardinal's villa was justified by a moral couplet composed in Latin by Cardinal Maffeo Barberini (later Pope Urban VIII) and engraved on the cartouche on the base, which says: Those who love to pursue fleeting forms of pleasure, in the end find only leaves and bitter berries in their hands.
In 1785, when Marcantonio IV Borghese decided to place the work in the centre of the room, Vincenzo Pacetti designed the present base by using the original pieces, adding plaster to the plinth and another cartouche bearing the Borghese eagle, sculpted by Lorenzo Cardelli. "
This is one of my favorite sculptures, I am a big fan of the Greek myths and had recently read Ovid's Metamorphosis. Just as the title implies it is full of myths that include people changing in one way or another. In the story of Daphne and Apollo she changes into that of a Laurel tree right in front of the pursuing Apollo. The artist Bernini has captured not only the grace of the transformation, but I also like the fluid movement in Daphne's hair as it turns to Laurel leaves, the wrap that is around Apollo that although made of stone seems to float on a wind that blew long ago, and the way he has carved it so that you could walk around it so many times and still see something new.
1 comment:
Gorgeous!
I really need to borrow that book from you some time soon...you know after I get trough the 3 I am about to start :)
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